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White Silence Kills (Open the Door)

by Closet Claustrophobe

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about

Bits of this song have been floating around my head for a while now but with the recent swell in consciousness about racial inequality (lets be clear the issues are not new) it seemed like the time to try and write it. However, as a white person I had to take the time to think what I could add to the conversation rather than just throwing my voice in there and taking up space better reserved for a person of colour.

With this song I'm trying to highlight how important it is that white people participate in the fight for racial equality and how we can use our privilege to help. I also wanted to use the song as an opportunity to reflect on the debt that I owe, as a white musician, to the black community.

There is no popular western music genre that has not been immeasurably influenced by black culture. With some genres that influence and history is more obvious (like jazz and blues) but with many the influence and importance of black musicians has been obscured and erased. A fine example of that is all the work the wonderful musician and radical thinker Rhiannon Giddens has had to do to teach the world that the Banjo is a historically black instrument with it's ancestor being the West African Ngoni. It felt right to include the banjo in this piece in honour of that.

In introduction to her song 'Young, Gifted and Black', Nina Simone said "It doesn't address white people primarily... It doesn't put you down, it simply ignores you."

She was aware that simply being ignored would still bristle the white ego. It's this sensitivity that has lead to the infuriating and misinformed discussion about #ALLLIVESMATTER.

But she didn't ignore white people to annoy them. She wrote the song because black people were (and still are) devalued as individuals. She knew that for black people to effectively fight for the freedom they were due, they would need to believe in themselves and each other.

This song is, in a way, a response to 'Young, Gifted and Black' but one that does primarily address white people. There was a strong temptation to name it 'Old, Complacent and White' but to blame people of the older generation for racism is to ignore our own duty to make changes. It challenges white people to recognise and support the efforts of black people. It also challenges us to realise that it is our inaction and our lack of reaction to the continued atrocities brought upon black people that allows those atrocities to continue.

All proceeds from the song will be donated to Colour of Change, one of the many great organisations campaigning for racial justice.

lyrics

How can it be after all this time
The argument is still the same
We've made so much progress
But we haven't changed a thing

The revolution will now be televised
Hell it'll be streamed, tweeted and shared
It'll just be miss-titled
Revolutionaries called rioters

And there are still millions of people
who are young, gifted and black
Young. Gifted.
But black

Nina was right, self belief is key
To the door of a better life

But it's been fifty years
And still people find
The door bolted from the other side

And so no wonder they try to break it down
Wouldn't you want to burn the world to the ground

And those of us on the inside
We have to make a choice to make
And know that to not chose
Is a choice in itself

We can complain about the banging on the door
Ignoring all the reasons they urgently want in
our promises of a warm welcome
our duty to our fellow humans

We can turn our backs and keep silent
But know white silence reinforces the door
Gives permission to keep the door closed
Condones every black death

Or we can put in the effort
And try to clear the way
To unbolt the door
So not one more black body
Can pile up on the other side

If you have a heart, the choice is clear
We have to meet them at the door
We have to believe in them too
We have to listen and we have to act

I won't keep silent
I won't stand in the way
We've got to work together
To open that door today.

credits

released June 22, 2020

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about

Closet Claustrophobe Glasgow, UK

Closet Claustrophobe is an anxious agender multi-instrumentalist and singer based in Glasgow, Scotland. They write songs about their mental health and gender and songs inspired by their love of nature, mythology, humans and dragons. They also write songs inspired by their hatred of humans. They have a lot of complicated feelings about humanity. They really love dragons. Dragons don't vote Tory. ... more

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